Great soundstarts here.

Warm tube tone and rich mids. We match the microphone and recording chain to your voice, music, and sound. When needed, we compare microphones together before recording.

A studio classic for vocals and instruments. With its balanced tone and clear detail, the U87 brings definition to recordings across a wide range of sources.

Clear presence and fine detail for vocals and speech. The TLM103 brings the voice forward with an open sound that reveals every nuance.

Tube warmth with a distinctive vintage character. The REDD adds depth and expression to voices and instruments, for recordings where the microphone itself becomes part of the aesthetic.

Brilliant highs and silky presence for modern vocals. Its C800G-inspired sound combines tube character with an open, detailed representation of the voice.

Natural, balanced and versatile. The Aston captures clear recordings with fine detail, keeping the individual character of voices and instruments in focus.

Warm tube character meets an open, natural sound. The NTV adds body to vocals and instruments while preserving the subtle details of a performance.

A versatile large-diaphragm condenser microphone with balanced sound and fine resolution. For voices and instruments that need to sound clear and natural in the recording.

Clear, detailed vocals with a controlled proximity effect. The C-80 draws on Sony’s C-800G and C-100 heritage for an upfront, open vocal sound.

A precision pop filter for natural, detailed vocals. The Pauly reduces unwanted plosives while preserving the openness and energy of the voice.

Three interchangeable filters in fabric, metal and foam. For particularly strong plosives, we use the foam filter — a powerful complement to the Pauly for demanding vocal recordings.

Monitoring with depth, clear midrange and character. The Quested H208 reveals how tracks interact, supporting confident production and mixing decisions.

Neutral, precise and detailed. These three-way monitors reveal balance, dynamics and spatial depth, so decisions are based on the sound rather than flattering playback.

The low-end extension for our Quested H208 monitors. The 12-inch subwoofer reveals deep bass and helps assess kick, sub-bass and their balance in the mix.

A clearer view of the low bass range. Complementing the Neumann KH 310, this active 10-inch subwoofer helps you judge the interaction of kick and bass with confidence.

Apple M1 Ultra, 128 GB of memory, and an 8 TB SSD. Our main workstation for large sessions, instrument-heavy projects, and demanding productions, so you can stay focused on the music.

Our mobile production setup: Apple M1 Max, 64 GB of memory, and an 8 TB SSD. Built for recording, editing, and production on the go, with the power to handle large sessions.

Develop songs, play instruments, record and mix: Logic Pro brings the stages of production into one environment. Our tool for turning a first idea into a finished song.

Recording and mixing with a workflow inspired by analog studios. LUNA brings capture and sound shaping together, keeping you focused from performance to final mix.

Additional DSP power for our UAD plug-ins. Two OCTO units expand our processing setup, giving even extensive mixes room for analog colors and complex effects chains.

Analog Prophet character. Together, we shape sounds at the controls and develop melodies. You can play too, exploring fresh ideas and distinctive sounds.

Analog Moog character for powerful basses, distinctive leads and evolving sequences. Two oscillators and a paraphonic Duo mode open up sounds you can shape directly with the controls.

The ’57 Les Paul delivers warm humbucker tone, expressive dynamics and long sustain. From clear, gentle guitar parts to powerful leads, it brings timeless character to a production.

Play instruments and control plug-ins directly from the hardware. The S61 connects keyboard and software, puts sounds within reach and keeps your hands where the music happens.

Build beats, shape samples and play ideas straight in. Pads and software turn individual sounds into grooves, with a workflow that invites experimentation.

Hands-on sound design: pressure and sideways movement control synth parameters directly. Touché makes hardware and software sounds expressive to play, adding subtle movement to a performance.

Give guitars and synths a voice. The talkbox sends sound through a tube to your mouth, where you shape it and capture it with a microphone for distinctive vocal-like effects.

The classic analog vibrato from 1982, reimagined as Waza Craft. Its pitch modulation adds movement and floating textures; Custom mode expands the character of the original.

The Blues Driver has shaped dynamic overdrive since 1995. The Waza Craft version responds sensitively to your touch, from gentle crunch to powerful distortion, with extra body and sustain in Custom mode.

Warm analog echoes with the character of the classic DM-2. Standard mode preserves the vintage sound, while Custom mode offers clearer repeats and longer delay times — for depth, rhythm and atmosphere.

The chorus sounds of the 1979 CE-2 and 1976 CE-1 in one analog Waza Craft pedal. Gentle modulation, stereo width and an additional vibrato mode add shimmering movement to guitars and other sounds.

Digital reverb with the character of legendary late-1970s studio hardware. Room, Small Hall and Large Hall add spatial depth; adjustable modulation brings the floating textures of early digital reverbs to your production.